ANALYSIS OF PRESUPPOSITION ON JOY’S UTTERANCES IN EVERYTHING EVERYWHERE ALL AT ONCE MOVIE
Keywords:
Pragmatic, Presupposition, Movie, Atlas.tiAbstract
This study aims to identify the types of presupposition used by the character Joy in the film Everything Everywhere All at Once, as well as to determine the most dominant type. The research employs a descriptive qualitative method and analyzes Joy’s utterances that contain presuppositions based on George Yule’s (1996) classification, which includes six types: existential, factive, non-factive, lexical, structural, and counterfactual presuppositions. Data were collected through observation and document analysis of the film’s screenplay and were analyzed using Atlas.ti software to code and categorize the types of presuppositions. The findings reveal a total of 50 utterances containing presupposition, with the following distribution: existential 22 data (44%), lexical 9 data (18%), structural 9 data (18%), factive 5 data (10%), counterfactual 3 data (6%), and non-factive 2 data (4%). The most dominant type is existential presupposition. This study contributes to the field of pragmatics by enhancing the understanding of how implicit meaning is constructed through presupposition in everyday communication, as represented through film dialogue.
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